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Here's my guide to Andrea Mantegna's famous Camera degli Sposi in Mantua Italy. The Camera is a magical room frescoed with illusionistic paintings in Mantua's Ducal Palace. It's a hugely influential masterpiece from the Early Renaissance. It's considered the first trompe l'oeil in the history of painting. For its beauty and uniqueness, the Camerabecame a designated UNESCO site in 2008.
Andrea Mantegna(?) Funerar, y Monument of Andrea Mantegna, installed by 1516. Bronzen o porphyry framed by Istrian stone. Mantua, Church of Sant'Andrea Chape, ol f San Gio-vanni Battista (Mantegnas memoria chapel)l . All works are reproduced (and photographs provided) courtesy of the owners, unless other-wise indicated. Typography by G&S ...
Andrea Mantegna, (born 1431, Isola di Cartura, near Vicenza, Republic of Venice [Italy]—died Sept. 13, 1506, Mantua, March of Mantua), Italian painter.The son of a woodworker, he was adopted by Francesco Squarcione, a tailor-turned-painter; Mantegna was one of several pupils who later sued him for exploitation.
Andrea Mantegna, one of the most acclaimed painters of the early Renaissance, decided sometime around 1470 to tackle a new medium—the recently invented and technically daunting process of copperplate engraving. The austere and pathos-filled Entombment, though likely one of his earliest efforts, already exemplifies with its dynamic composition ...
David Ekserdjian in Andrea Mantegna. Exh. cat., Royal Academy of Arts, London. New York, 1992, p. 129 [British ed., London, 1992, p. 130], calls the Uffizi drawing probably a copy after an original study by Mantegna, perhaps dating from the time of the painting or perhaps later. Albinia de la Mare and David Ekserdjian in Andrea Mantegna. Exh ...
Throughout his life, Mantegna was fascinated with classical antiquity. In the middle of the sixteenth century, the biographer Giorgio Vasari, was the first of many to note how Mantegna's work in two dimensions possessed a sculptural quality, writing that 'Andrea was ever of the opinion that the good ancient statues were more perfect and had greater beauty in their various parts than is shown ...
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